Our Favourite Books of 2020
Our booksellers share their favourite books of 2020
Anna
Simon
Naomi
Steve
Kate
STEPHEN
TIM
STELLA
Review: Kokomo by Victoria Hannan
First rate fiction from a writer to watch, writes Simon McDonald.
“Mina wondered what other secrets lay between these people, wondered if maybe every family was built on an intricate web of lies, or at least things people chose not to tell each other. She’d learned that not every truth deserves air: some truths were better smothered, extinguished before they could take hold and burn everything to the ground.”
Victoria Hannan’s seriously impressive debut Kokomo charts the complex, resilient relationship of a mother and daughter, and the toxicity of decades-long secrets finally surfacing. It’s a sharply-observed portrait of devastating loneliness and human fallibility, and what it means to belong.
When Mina’s agoraphobic mother leaves her house for the first time in more than a decade, she rushes from her life in London to be by Elaine’s side in Melbourne. On the one hand, it’s to commemorate her mother’s decision to unshackle herself from the house; on the other, it’s to untangle the mystery of why Elaine has chosen this moment to return to the world. But Elaine is reticent to explain, or delve into the agony of the past; and Mina’s homecoming engenders emotional fallout of her own with people she thought she’d left behind long ago.
Smart and sensitive, punctuated with moments of real humour, Hannan has crafted a novel in the mould of Anne Tyler’s finest work. Like Tyler, Hannan trades expertly in the themes of the struggle for identity, the lack of meaningful communication between loved ones, and individual isolation; and although it positively glows with poignancy, it’s somehow free of gross sentimentality. This is first rate fiction from a writer to watch.
Simon McDonald is the senior bookseller at Potts Point Bookshop. This review also appears at writtenbysime.com
Our Favourite Books of 2020
Our booksellers share the best recently published books they’ve read so far this year.
Anna Low
Simon McDonald
Naomi Fisher
Steve Sines
Stephen Madsen
Review: Recursion by Blake Crouch
Reviewed by Simon McDonald
A wildly ambitious, fast-paced, high-octane science fiction thriller about the apocalyptic consequences of one woman’s quest to build a machine that allows people to relive memories. Buckle up, put the seat back, adjust the headrest — and hang on.
In 2018, NYPD Detective Barry Sutton fails to stop Ann Voss Peters from leaping to her death from the Poe Building. Ann was suffering from a rare but proliferating condition known as False Memory Syndrome, in which detailed false memories of other lives lived flare to life —marriages, children, careers — and clash with conscious reality, often resulting in mental degradation, or complete psychotic breakdown. When Barry decides to dig deeper into the condition, he stumbles upon the Hotel Memory, and a life-changing discovery. In 2007, a stupendously wealthy philanthropist named Marcus Slade offers neuroscientist Helena Smith unlimited funding to achieve her life’s goal, inspired by her mother’s Alzheimer’s, of allowing people to relive their memories. But Slade’s objective isn’t quite to benevolent — particularly when they learn the incredible potential of Helena’s machine.
Recursion is a nerve-shredding, genre-bender of the highest calibre. It builds from shock to shock, intensifying with each turn of the page. It’s part love story, part meditation on grief and its long-lasting resonance, and how memories shape us. And it t is never anything less than electrifying. With Recursion, Blake Crouch has produced one of the must-read thrillers of 2019.
Review: The Nancys by R.W.R McDonald
Reviewed by Simon McDonald
When eleven-year-old Tippy Chan learns of her teacher’s murder, she forms ‘The Nancys’ — an amateur detective club inspired by Nancy Drew — with her visiting Uncle Pike and his new boyfriend, Devon. Together, the trio converge on Riverstone — a small town in New Zealand with a kaleidoscopic population of less than 4000 — and nose their way into trouble.
This is an ebullient, delightful novel, difficult to describe in a way that conveys its greatness without making it sound schmaltzy. On the one hand, it’s warm and funny; its laughs procured from Pike and Devon’s mordant humour; its affability derived from the Nancys’ burgeoning affinity, and their generous hearts. But The Nancys is also a stellar mystery, layered with red-herrings and suspense, the killer’s identity ably concealed until the final pages in a powerful denouement that has heartbreaking repercussions for Tippy.
The Nancys avoids the trap of condescension that ensnares too many well-meaning books written for adults starring preadolescents. Rob McDonald understands the innocence and purity of this phase in life — when the real world constantly threatens to invade, like a looming shadow, on the colourful pop of childhood — and he wonderfully captures the excitement, hilarity and occasional disillusionment of Tippy’s growing discernibility as she her fellow Nancys intervene in the townspeople’s affairs.
Written with verve, humour and heart, this is a stunning debut, one of those very special books that enthrals from its opening, and leaves you with pangs of regret, desperate to spend more time with its characters. This is hopefully not the last time we’ll meet this investigative trio: maybe a trip to Sydney is on the cards for Tippy?
Review: Room For a Stranger by Melanie Cheng
Reviewed by Simon McDonald
Melanie Cheng’s short story collection Australia Day was an absorbing panorama of contemporary Australia, populated by a diverse cast, that highlighted the ramifications of such an eclectic potpourri of different races and faiths coexisting. The fourteen powerfully perceptive stories were written with love, humour, realism, and a distinct edginess — and left me wanting more. Room For a Stranger was worth the wait: Cheng’s trademark empathy and sharp insight are out in force here, in a novel that transmutes the texture of human relationships into smart, sensitive, engaging art.
Margaret “Meg” Hughes, an Australian woman in her seventies, lives a in her family home with Atticus, an African grey parrot, her only companion. Hers is a life of contented isolation; accustomed to the long silences, the sparseness of her daily routine, the pain in her arthritic knees. But following a break-in —more melodramatic in her mind’s eye than it was in reality, perhaps, but still discombobulating — she can’t bare the solitude and her vulnerability, so for her own protection, applies to share her home with a university student. Andy, from China is facing problems of his own; failing his university course that his parents are paying for while they struggle with health and financial issues. He feels burdened with guilt by his inability to match his father’s lofty expectations. You could not put two more dissimilar people together; seemingly destined to clash as a consequence of age, gender, race and culture. The lesson here is that there, at the core of humankind, there is more that unites us that diversifies us.
Cheng conjures genuine tenderness and empathy for her characters as she explores their histories, what individuates them, and the compassion that ultimately unites them. Her writing is simple, restrained and intelligent; its insights razor-sharp. Room For a Strangeris the kind of book that seduces you from its first page, and with its keen observations, makes you examine your own relationships anew.
Review: Run Away by Harlan Coben
Reviewed by Simon McDonald
In Harlan Coben’s capable hands, the familiar runaway daughter plot is revitalised and exacerbated, in a thriller replete with several truly sneaky twists and a haunting dénouement. Although Coben’s customary wit and banter is diluted — the repercussions of Simon Greene’s search for his daughter, Paige, doesn’t really allow for sass or wisecracks — Run Away is another masterful domestic thriller, and another impressive page-turner from one of my favourite writers.
When Simon, a successful Manhattan money manager, identifies his runaway college dropout (now junkie) daughter Paige playing guitar in Central Park, he approaches her, hoping to encourage her back into rehab, or at the very least a few nights away from her abusive boyfriend, Aaron. Things do not go well. Strung out on drugs, Paige barely seems to recognise her father — and their resulting confrontation results in Simon punching Aaron in the face, and becoming a viral sensation as a rich guy abusing the poor. Paige disappears, and for three months, Simon and his wife, Ingrid, hear nothing; that is until Bronx Homicide Detective Isaac Fagbenle turns up at Simon’s office, asking questions about the murder of Aaron. The Greene’s are suspects, but Paige is the obvious one — and she’s still missing. So Simon and Ingrid launch their own investigation, which brings them into the path of Chicago PI Elena Ramirez, hired to find the missing adopted son of wealthy Sebastian Thorpe III, and a murderous duo named Ash and Dee Dee, the latter of whom waxes lyrically about the Maine religious commune she belongs to. Somehow Coben manages to successfully connect these threads, building momentum until the very last page.
Fasten your seat belt for this roller-coaster ride through family hell.