Review: Room For a Stranger by Melanie Cheng

Reviewed by Simon McDonald

Melanie Cheng’s short story collection Australia Day was an absorbing panorama of contemporary Australia, populated by a diverse cast, that highlighted the ramifications of such an eclectic potpourri of different races and faiths coexisting. The fourteen powerfully perceptive stories were written with love, humour, realism, and a distinct edginess — and left me wanting more. Room For a Stranger was worth the wait: Cheng’s trademark empathy and sharp insight are out in force here, in a novel that transmutes the texture of human relationships into smart, sensitive, engaging art.

Margaret “Meg” Hughes, an Australian woman in her seventies, lives a in her family home with Atticus, an African grey parrot, her only companion. Hers is a life of contented isolation; accustomed to the long silences, the sparseness of her daily routine, the pain in her arthritic knees. But following a break-in —more melodramatic in her mind’s eye than it was in reality, perhaps, but still discombobulating — she can’t bare the solitude and her vulnerability, so for her own protection, applies to share her home with a university student. Andy, from China is facing problems of his own; failing his university course that his parents are paying for while they struggle with health and financial issues. He feels burdened with guilt by his inability to match his father’s lofty expectations. You could not put two more dissimilar people together; seemingly destined to clash as a consequence of age, gender, race and culture. The lesson here is that there, at the core of humankind, there is more that unites us that diversifies us.

Cheng conjures genuine tenderness and empathy for her characters as she explores their histories, what individuates them, and the compassion that ultimately unites them. Her writing is simple, restrained and intelligent; its insights razor-sharp. Room For a Strangeris the kind of book that seduces you from its first page, and with its keen observations, makes you examine your own relationships anew.

Review: Run Away by Harlan Coben

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Reviewed by Simon McDonald

In Harlan Coben’s capable hands, the familiar runaway daughter plot is revitalised and exacerbated, in a thriller replete with several truly sneaky twists and a haunting dénouement. Although Coben’s customary wit and banter is diluted — the repercussions of Simon Greene’s search for his daughter, Paige, doesn’t really allow for sass or wisecracks — Run Away is another masterful domestic thriller, and another impressive page-turner from one of my favourite writers.

When Simon, a successful Manhattan money manager, identifies his runaway college dropout (now junkie) daughter Paige playing guitar in Central Park, he approaches her, hoping to encourage her back into rehab, or at the very least a few nights away from her abusive boyfriend, Aaron. Things do not go well. Strung out on drugs, Paige barely seems to recognise her father — and their resulting confrontation results in Simon punching Aaron in the face, and becoming a viral sensation as a rich guy abusing the poor. Paige disappears, and for three months, Simon and his wife, Ingrid, hear nothing;  that is until Bronx Homicide Detective Isaac Fagbenle turns up at Simon’s office, asking questions about the murder of Aaron. The Greene’s are suspects, but Paige is the obvious one — and she’s still missing. So Simon and Ingrid launch their own investigation, which brings them into the path of Chicago PI Elena Ramirez, hired to find the missing adopted son of wealthy Sebastian Thorpe III, and a murderous duo named Ash and Dee Dee, the latter of whom waxes lyrically about the Maine religious commune she belongs to. Somehow Coben manages to successfully connect these threads, building momentum until the very last page.

Fasten your seat belt for this roller-coaster ride through family hell.

Review: The Place on Dalhousie by Melina Marchetta

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Reviewed by Simon McDonald

A deliciously engaging exploration of love, parenthood and belonging, The Place on Dalhousie charts familiar fictional territory, but Melina Marchetta’s inimitable artistry elevates the novel far beyond the sum of its parts into one of my favourite books of the year.

It opens in 2009, when Rosie meets Jim — “SES Jesus”, as Rosie thinks of him, because of his orange overalls and facial hair — in a town that’s about to be flooded by the Dawson River in Queensland. She’s been in town for five weeks now, caring for a cantankerous old lady named Joy Fricker, and recovering from the abrupt departure of her boyfriend, Luke. She’s not looking for a relationship, but partakes in what she assumes is casual sex, ignoring her burgeoning attraction to this stranger, not just to his body but his personality, his genuineness.

Two years later, Rosie has returned to her family home on Dalhousie in Sydney, that her father, Seb, was in the process of rebuilding, but never completed. In his place is Martha, who married Seb less than a year after the death of Rosie’s mother, and who Rosie can’t help but loathe. It is a house they both lay claim to; a place neither can let go of. But beyond their mutual enmity, both women have other issues plaguing their lives; Rosie is coping with the living, breathing consequence of her liaison with Jimmy (who is about to re-enter her life); and Martha is battling to come to terms with the total upheaval the death of Seb had upon her existence.

This is a book with so much heart, and traverses such a rich emotional landscape, with a deftness rarely displayed. Hard to put down, impossible to forget, The House on Dalhousie is one of those precious books you don’t want to end. I would’ve happily spent another 300 pages with Rosie, Jimmy, Martha, Ewan and co.